Back when the wind was blowing east, I was going to take the slow boat from Venice, across the Adriatic Sea to Pula, Croatia. By the time I was ready to leave Venice, the wind had changed and I found myself on the northbound train to Ljubljana, Slovenia. All I knew about Ljubljana was that it was a train station in the direction I was going. I had no idea what to expect, and as the train slowed, I was having second thoughts about getting off because it looked we were going to be stopping in the middle of nowheresville. The train rolled on for another twenty minutes and into the middle of a small city, Ljubljana, Slovenia's capital city. Now, some of you are shaking your head because I failed to do the research before hand, but again, I'm flying by the seat of my pants and don't necessarily want to know too much or anything at all about where I'm going. I prefer to find out when I get there because where I intend to go on any given day might not be where I end up.
Although each country is a collection of many photographs and experiences, there are usually one or two stories that shape my memory there. In Tanzania it was Malaria and Scottish reindeer rangers. In Egypt it was pyramids and riots. Besides the castles and dragons, friendly people and open air markets, Slovenia was defined by the mission to find the Kurent from Ptujsko Polje.
To back up just a bit, the missions started in Venice when a little bird with a penchant for riddles flew onto my shoulder and dared me to follow and complete a task. It's not like I didn't ask for it. The About page on my blog hints at a game I might be willing to play and here was a player more than happy to add her own personal twists, turns and intrigue. Whether she knew it or not (I think she did), the first mission was doomed to fail, but I had to attempt it anyway, and just as I thought, a big fat zero. Now in Slovenia, the little bird returned to wheedle me into another mission:
"...now that you've crashed and burned on the first mission - how could you ever redeem yourself? ;)" Your mission should you choose to accept it is to take a photograph of:
The Kurent from Ptujsko Polje.
Points schedule:
Live = 20 points + (edited for contentxxxxxxxxx)
Stuffed/non breathing = 5 points + (edited for contentxxxxxxxxx)
Failure to do so = Not a viable option this time
Failure with an amusing/hysterical explanation = (edited for contentxxxxxxxxx)
The what?! Still smarting from the effort of my earlier mission failure in Venice, I set out to have some success in this mission. How much success was entirely dependent on what this Kurent thing was and where I would have to travel to to find it. I decided to illicit help from the hostel staff. Not an easy thing to do when your mastery of Slovenian is only four words: Hello, Good-bye, Please, and Thank you. The first several people I approached nodded knowingly when I said the words, "Dobro dan, Kurent eh Ptujsko Polje?", but when I asked them where I could find the Kurent, some would laugh and wave me off as if i was just trying to be funny, and others would shrug their shoulders and say, "No here now, come back cold, winter." Another impossible mission. The Kurent was probably the Slovenian equivalent to the Easter Bunny, unlike the ubiquitous Santa Claus who can probably be found anywhere at anytime of year. Where does she get these missions?
I finally came across Bavo who hesitated a little when I asked about the Kurent. It's not that he didn't want to help me, rather, I sensed his hesitation was that he didn't want to disappoint me. "I sorry, de Kerant iss unly heer when it iss pest de weenter time end he come heer to breeng de spreeng time. It iss not possible to see de Kurant now." I guess I would have to settle for the consolation prize if I could find a stuffed version or toy. Bavo pointed me in the direction of the market place. Three city blocks down and over the bridge, make a right turn, cross over another bridge, follow the tall buildings on the right until you get to the open market. He also suggested that I try the local museum which was several blocks away because if they didn't have an example of the Kerant, nobody would. It was Friday. The museum was only open Monday through Thursday due to construction.
Strike 1, there were no live Kurents until winter. Strike 2, my best hope of an example over three inches tall might be in a museum that was closed and I'm leaving on the day it reopens. I could see my tormentor staring in her crystal ball like the wicked witch of the west in The Wizard of Oz, shrieking with laughter to know I was already down two strikes and I hadn't even left the hostel. I rented an umbrella for a 10 Euro deposit and set out for my hike. It was cold and it was raining, but I enjoying the change in climate.
You might be thinking that I headed for the market. That would be incorrect. Most museums have people there seven days a week, there's always maintenance and odd jobs that need to be done. Maybe I could find an open door and charm my way in for a special tour. Lacking that, I could always throw myself to someone's mercy and prostitute myself for whatever menial tasks they needed completed for an entire day. Driven by a need to succeed, I was sinking to an all time low.
Forty five minutes later and possibly even a longer shortcut than the one I took to the train station in Venice, I was at the museum. I went through the wrought iron gate and slogged around the building on the soggy lawn looking for an open door. There were a few cars in the parking lot and I found a service door, but there were no open doors to be seen. I sat and waited for someone to go in or come out of that door. After 20 minutes a painter walked out of the building. I approached him and asked if there was someone I could talk to inside about seeing the museum. He didn't understand English and the door closed behind him. A half hour went by I noticed two ladies walking towards the door. It was now or never. I approached them cautiously as not to upset them, but really, it's hard to look intimidating holding an umbrella. I smiled my best smile and asked if they spoke English? Yes, and one was smiling back. Good sign.
"Does the museum have any permanent exhibitions that show a Kurent?" Again yes and still smiling. God, please forgive me for what I am about to do. "I'm from America and I'm leaving early Monday to Zagreb. My mother is Slovenian and left when she was a child during the war and was never able to return. She is very old now and I wanted to bring her back something special as I have been away from the states for the past six months. She always talks about the Kerant and we always had little stuffed Kerants all over the house. Is there any way I could see your Kerant exhibit and take a picture for her? I would be deeply indebted to you."
I could have squeezed out tears at his point, but that might have been a little over the top. I'm sure they would have gone unnoticed anyway due to the rain. She paused, looked me in the eye and smiled. I knew that look. She was amused, maybe even a little intrigued, but I was busted. I knew she knew I was lying, but I didn't turn my eyes away.
"Usually, people say they have a relative who is dying, you didn't," she began.
My humiliation was complete. She knew.
"Yes, I'm sorry. I couldn't say that because I didn't want to curse her. She'd be horrified to know I even referred to her as very old."
"But she is Slovenian?"
I was sinking lower, but knowing she was at least amused, poured on the charm. "No, not actually. She's Dutch, but I think she did have to leave during the war as a child.
"Sprekt u Nederlands?" she asked.
"Ik verstaan je vel," I said
"Mijn vader is ook van Holland, maar mijn moeder is Sloveens," she added as she motioned me towards the door.
I was in. Mortified, but I was in.
Martina happened to be the assistant curator at the museum. There was construction on the first two floors, but the exhibition that held the Kerant was on the 7th floor. As we walked though the museum towards the elevators, I confessed the mission, told her of my failure in Venice, and of my travels over the last six months.
"Now that I can believe," she said laughing.
"Would you have let me in if I had told the truth," I asked.
"No, probably not, but your task master must be very special for you to make up a story."
The elevator stopped and we stepped into a dark room. Martina took a few steps and turned on a bank of lights. The whole floor lit up and TV monitors began playing their prerecorded bits of history. As I scanned the exhibit, the Kerant came into view. I could see Martina in my peripheral vision looking at me and I suddenly noticed I had a big smile on my face.
"Do you see what you came for?"
"Is that the Kerant?" I asked.
"Two examples from two different regions," she said. "Feel free to browse the floor. I'll be here for another two hours. When you are finished come to the reception area and the guard will let you out. You do not look like a criminal, but in case you are, there are cameras on the ceiling and the guards are watching you," as she pointed to the ceiling.
"How can I thank you?" I asked.
"You already have...," she smiled as the doors closed and the elevator moved to the first floor.
I was alone with the Kurent from Ptujsko Polje. Is one's own humiliation worth redemption? You bet!





































































